![]() Not unlike 25th Hour, the Coen Brothers’ second movie ends with a hopeful vision of a future that will never come to pass. – "Raising Arizona" (screenplay by Joel and Ethan Coen) Initially fearful that her feelings will have changed now that she can see him for who and what he truly is, he realizes that just the opposite is happening as she accidentally touches his face and finally understands who she’s looking at. Unbeknownst to him, she’s since had her sight restored. It finds Chaplin’s lovable, downtrodden Tramp reuniting with the blind flower girl he’d fallen in love with and then drifted apart from. To call it Charlie Chaplin’s best film may seem like a bold statement when all-timers like Modern Times and The Kid are right there, but this romantic drama is set apart by its utterly beautiful ending. Not a lot of silent films are remembered for their final lines, which is only part of what makes City Lights a classic that’s withstood the test of time. – " City Lights" (screenplay by Charlie Chaplin) ![]() If you spend all your time actively anticipating life-altering moments, you may just miss them when they happen of their own accord. It’s an important reminder to live mindfully, but also to let situations play out as they’re meant to. Even more remarkable than the circumstances of its production is the fact that Boyhood is genuinely insightful and moving, and nowhere more so than in its closing lines.Īs Mason - whom we’ve just spent the last few hours watching grow from age 6 to 18 - enters college, he hears these words from a girl he’s just met. Shot intermittently over 12 years, Richard Linklater’s coming-of-age drama is a singular experiment in filmmaking that actually shows its protagonist (Ellar Coltrane) come of age. – " Boyhood" (screenplay by Richard Linklater)Ĭountless movies have stressed the importance of living in the moment, but none of them have done it quite like Boyhood. You know how everyone's always saying ‘seize the moment’? I don't know, I'm kinda thinking it's the other way around. The sweetest dreams may be the ones that don’t come true, but that doesn’t make the lives we’re living any less of a gift. The tragedy, of course, is that the life being described never does happen and the children meant to hear these words may never exist at all. The reverie goes further and further, imagining a wife and children, and it’s to them that the last lines are directed. You make a new life for yourself and you live it, you hear me?” They’re spoken by his father, who, while driving his son to prison, imagines him making an escape and starting a new life: “You forget your old life, you can't come back, you can't call, you can't write. And while the film’s closing lines relate specifically to Norton’s character, the film’s context makes them even more moving. ![]() He lives in New York, and his interactions with other New Yorkers make it clear just how much the city has changed in a short amount of time. Spike Lee’s 25th Hour, released a little more than a year after September 11th, 2001, follows a drug dealer (played by Edward Norton) on his last day of freedom before entering prison. – " 25th Hour" (screenplay by David Benioff) This life came so close to never happening. Here are six of the most moving final lines of all time. And while a twist like The Sixth Sense’s or a seemingly inexplicable conclusion like 2001: A Space Odyssey’s will keep viewers talking long after the credits have rolled, the final scenes that tend to resonate the most are those that tug at our heartstrings - and manage to put the inexpressible into words. Nothing makes a good movie great like an unforgettable ending.
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